Monthly Archives: February 2009

Spotlight: Floating Logos by Matt Siber

Inspired by the proliferation of very tall signs in the American Mid-West, Floating Logos seeks to draw attention to this often overlooked form of advertising. Perched atop very tall poles or stanchions, these corporate beacons emit their message by looming over us in their glowing, plastic perfection. Elimination of the support structure in the photographs allows the signs to literally float above the earth. In some cases the ground is purposefully left out of the image to further emphasize the disconnect between the corporate symbols and terra firma.

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Nigerian Scammer Steals $27 Million from Citibank

Posing as Ethiopian bank officials, a Nigerian and his accomplices stole $27 million from Citibank. Paul Gabriel Amos, 37, a Nigerian citizen who lived in Singapore was arrested when he tried to enter the US last month.

Prosecutors said the scheme began in September, when Citibank received a package with documents purportedly signed by officials of the Ethiopian bank instructing Citibank to accept instructions by fax. There was also a list of officials who could be called to confirm such requests. The signatures of the officials appeared to match those in Citibank’s records and were accepted by Citibank, the complaint says.

In October, Citibank received two dozen faxed requests for money to be wired, and it transferred $27 million to accounts controlled by the conspirators in Japan, South Korea, Australia, China, Cyprus and the United States, the complaint says.

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The F**king Weatherman

This weather website perfectly expresses my feelings lately about the temperature in New York City.

[Thanks a whole f**king lot Melissa!]

National Animals

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Snake Regurgitates Hippo

This should have been included on Snakes on a Plane. Why? Just because.

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True.

Yes, but change back into a robot to bust some Decepticon heads. Buy this poster by Tim Doyle here.

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Segway Juxtaposition


Ferrari Segway. $12,000.

VS.


Chanel Segway. No price. Note the Chanel bag and leather grips.

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Why Facebook Can’t Monetize

My friend Kaizar has finally figured out why Facebook can’t monetize. It’s because their ads are fucking insulting. Look at the targeted ads on his profile page:

Review: Man on Wire

Based on Philippe Petit’s account of his stunning high-wire walk between the Twin Towers in 1974 in his book “To Reach the Clouds,” director James Marsh revisits that event in “Man on Wire,” which won the best documentary category at this year’s Academy Award.

Using actual footage as well as interpretive reenactments and contemporary interviews with many of the participants, Marsh succeeds in recreating the tense and suspenseful atmosphere experienced by Petit and especially his accomplices as they case and eventually break into the then recently completed World Trade Center. Paradoxically, it is at the point of no return, when Petit confidently steps onto the precarious wire–seemingly counter to human nature–does the film achieve a peaceful quietness that leaves the viewer in awe and wonder. However, throughout the documentary, one also views snippets of the narcissism and obsessive force of Petit’s exuberant personality. While no one was ultimately physically injured, it is clear that there were emotional casualties, especially in the frenzied aftermath of his walk.

Although it is never mentioned, the specter of 9/11 looms large in the background, and one can’t help but make comparisons at times between Petit’s crew and the terrorist attacks years later, particularly when they describe the various methods including impersonating a reporter to enter and gain access to the towers’ rooftop. Yet the sight of this Frenchman casually resting on his back high above the streets and staring up at the clouds above New York City, provides a cathartic counter to the monstrous and horrifying collapse of the World Trade Center.

I highly recommend this movie. And if you don’t believe me, it has a 100% rating with 137 review over at Rotten Tomatoes.

Relatedly, this was the New Yorker cover on the 5th anniversary of 9/11:

[Thanks Kate for Netflix'ng this movie and the New Yorker cover connection!]

Artist Spotlight: Josh Keyes

I enjoy the biting wit of Josh Keyes’ works.

More here.

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